Saturday, November 18, 2017

Modernism


Modernism is known as a character, practice, or thought; it is a modernist movement. During the modernism era, there were many movements that shaped art, and progressed the voices of many women artists. Many male artists during modernism such as, Renoir ("I paint with my prick") to Picasso ("Painting, that is actual lovemaking") "have collaborated in fusing the sexual and the artistic by equating artistic creation with the male sexual energy, presenting women as powerless and sexually subjugated." (279, Chadwick) This shows that women were still not taken seriously as artists or even as citizens. The female body is still being presented as an object not far from the whole idea of the Male Gaze. Women artists at the time tried to bring awareness to this deceit with their paintings. One of these women is Carol Duncan, who, in her article "Domination and Virility in Vanguard Painting", brings awareness to the vulnerability women are in because of men. She targets the Cubists, Fauves, and the German Expressionists by "arguing that the vanguard myth of individual artistic freedom is built on sexual an social inequalities." (280, Chadwick) This lead to many other artists fighting for their sacred bodies; they were fed up with men portraying them as subjects just for their pleasure. Due to this revolution, Valadon decided to paint nude women in their full form; therefore, taking away all the vulnerability that men bestowed on them by already exposing themselves. Although she was reprimanded for her nudity and was not taken seriously, her work lived on and inspired many more. The only reason many did not find meaning behind this, and only saw it as nudity, was because they did not understand the position women were in, specifically, the men.
Nude Getting into the Bath beside the Seated Grandmother, 1908 - Suzanne Valadon


During the mid Twentieth Century, the image of women in art begins to shift. Women are not portrayed as objects to be drooled over, but in fact, just regular unbothered women who do not care about other opinions. In Valadon's painting, she emphasis how the lady in the painting does not care about her appearance, and who is watching. She is minding her own business smoking a cigarette. The books in the background elude to the observer that she is in fact, educated. This is important because it shows how women are now seen as, not only in paintings but in real life because that is how they should be viewed as. This all stems from the influence of other artists trying to send a message to men that they also have power. 
Suzanne Valadon The Blue Room 1923. 
Post-Modernism is the idea that no one knows the truths and every theory is skeptical. This all began in the late nineteenth to mid twentieth century when literature, science, and philosophy became a sense of progress in everyday life. It is a movement that is largely a reaction against the philosophical assumptions and values of the modern period. Due to this movement, many forms of art were introduced; such as, Conceptual art, Minimalism, Video art, Performance art, and Installation art. Conceptual art is usually defined as art whose material is reduced to an absolute minimum, also known as "dematerialization" of art. Artists who follow this rule were inspired by Minimalism. One of the brave standers in post-modernism is the Guerrilla Girls, Do Women have to be Naked to get into the Met Museum? 1970. Women began to make art in response to the developments of the Feminist theory.
Image result for guerrilla girls
Guerrilla Girls, Do Women have to be Naked to get into the Met Museum? 1970. 
Performance art is a genre in which the art is portrayed to a live audience. It carried into the Futurism, and Dada movements which led many artists to expand their art. Instead of just painting or sculpting they have the chance to show their audience that art is not just a still story. One of these artists is Yoko Ono; she participated live in a room leaving her audience with the power to cut off her clothing.   Which also falls under Video art. Since many men draw women nude thinking they have the power, but in fact, not just her audience have the power, but so does she. Although she is not speaking, her motionless body is stating how women are always victimized about their body, and how their bodies are always the subjects. Her actions prove to be a strong feminist statement.
Yoko Ono Cut Piece 1933
Installation art is a different type of movement because it addresses the viewer's senses; including, touch, sound, smell, and even vision. This type of art is obviously three-dimensional, and contributes to numerous hours of computer work. One of these artists is Arne Quinze; she designed a giant wooden installation which covers the Leuvensewg connecting the Flemish Parliament with the House of Flemish Representatives.
Image result for The Sequence (2008) by Arne Quinze. A wooden sculpture-installation at the Flemish Parliament in Brussels. Postmodernist public art.
Arne Quinze The Sequence 2008
As it shows, art in post-modernism improved from the modernism era. New movements occurred, new women artists began to take initiative, and voices through art were heard. Everything began to change and transform. Art was no longer just wet paint on a surface, it came to life.
  

Work Cited

Chadwick, Whitney. Women, Art, and Society. Thames & Hudson, 2007.

Duignan, Brian. “Postmodernism.” Encyclopædia Britannica, Encyclopædia Britannica, inc., 14 July 2017, www.britannica.com/topic/postmodernism-philosophy.


“MoMA Learning.” MoMA | Yoko Ono. Cut Piece. 1964, www.moma.org/learn/moma_learning/yoko-ono-cut-piece-1964.

“The Blue Room [Suzanne Valadon].” Sartle - See Art Differently, 18 Aug. 2015, www.sartle.com/artwork/the-blue-room-suzanne-valadon.

“The Guerrilla Girls Biography, Art, and Analysis of Works.” The Art Story, www.theartstory.org/artist-guerrilla-girls.htm.



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